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Concord Floral is a one-million-square-foot abandoned greenhouse and a refuge for neighborhood kids; a place all to themselves in which to dream, dare, and come of age. But hidden there is a secret no one wants to confront, and when two friends stumble upon it they set off an unstoppable chain of events, from shadows in parking lots to phone calls from the grave. It’s time for the teens of Concord Floral to start talking.

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This conversation will explore how The Voice in My Head Is God engages questions of voice, memory, and self-making, as well as the relationship between artistic expression and lived experience. Bringing together literature, music, and cultural criticism, the event invites students, faculty, and staff to consider how storytelling functions as a practice of reflection, survival, and transformation in contemporary Black life, while also highlighting the collaborative process behind the making of the memoir.

Part of The Conversation @ Trinity.

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Registration link: https://trinity.zoom.us/webinar/register/WN_kIdaEncETGSyok-qqEk3Kg

This is the third of five guest lectures for Trinity University's 2026 Lennox Seminar series in honor of the nation's semiquincentennial: "The United States at 250: Remembering and Forgetting." Dr. Lurie will be presenting a lecture titled “Hamilton: In History and On Stage," followed by a Q&A.

Shira Lurie (she/her) is an Associate Professor of American History at Saint Mary’s University in Mi’kma’ki (Nova Scotia). She is the author of The American Liberty Pole: Popular Politics and the Struggle for Democracy in the Early Republic. Her writing has also been published in The Journal of the Early Republic, The Washington Post, TIME Magazine, and The Toronto Star. She is currently at work on her next book, tentatively entitled Barnum: The First Celebrity Politician, which explores P.T. Barnum’s political career.

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Free and open to the public but registration is required.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Sponsored by the Social Justice First Year Experience, the School of Social Science and Civic Engagement, and the departments of Education, History, Sociology, Urban Studies, Environmental Studies, International Studies, Political Science, Philosophy, and Coates Library

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This year we will be celebrating the following reunion classes:
2021, 2016, 2011, 2006, 2001, 1996, 1991, 1986, 1981, 1976, 1966.

Registration is now open.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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This year we will be celebrating the following reunion classes:
2021, 2016, 2011, 2006, 2001, 1996, 1991, 1986, 1981, 1976, 1966.

Registration is now open.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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This year we will be celebrating the following reunion classes:
2021, 2016, 2011, 2006, 2001, 1996, 1991, 1986, 1981, 1976, 1966.

Registration is now open.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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This year we will be celebrating the following reunion classes:
2021, 2016, 2011, 2006, 2001, 1996, 1991, 1986, 1981, 1976, 1966.

Registration is now open.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Readings by Macondo Writers Workshop Macondistas

Join us for Corazones on Fire - Readings by award winning author, Désiree Zamorano and 2023 Texas State Poet Laureate, ire'ne lara silva on Tuesday, October 20 from 6-8 p.m. in the Fiesta Room. Light refreshments will be served. Hosted by Dr. Norma Cantú.

Biographies:
Désirée Zamorano is the author of the groundbreaking family saga, Dispossessed, The Amado Women and Amarisa’s Cooking Pot. She is also a short story writer and nominee of the Pushcart prize. Her work is an exploration of where cultures collide and connect and a RE presentation of her Mexican-American demographic.

Ire’ne lara silva is the author of five poetry collections: furia, Blood Sugar Canto, CUICACALLI/House of Song, FirstPoems, and the eaters of flowers, which won Gold for the 2025 Juan Felipe Herrera Best Poetry Book (ILBA), a comic book--VENDAVAL, and two short story collections - flesh to bone winner of the Premio Aztlán, and the light of your body.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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As the pastor’s daughter, Laura knows what’s expected of her. But after her best friend dies, she retreats into grief. Then Carmilla arrives, a charming girl who seems to understand her when no one else does, but never quite lets Laura in. As they grow closer, Laura questions what she believes, what she desires, and who she’s becoming. But how do you love someone when you can never be sure who they are?

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Meet the team. See them compete in a skills competition, 3pt contest, and dunk contest. Watch the Maroon vs White game.

T-shirts and door prizes available!

Please RSVP

We'd love to see you there!

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As the pastor’s daughter, Laura knows what’s expected of her. But after her best friend dies, she retreats into grief. Then Carmilla arrives, a charming girl who seems to understand her when no one else does, but never quite lets Laura in. As they grow closer, Laura questions what she believes, what she desires, and who she’s becoming. But how do you love someone when you can never be sure who they are?

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As the pastor’s daughter, Laura knows what’s expected of her. But after her best friend dies, she retreats into grief. Then Carmilla arrives, a charming girl who seems to understand her when no one else does, but never quite lets Laura in. As they grow closer, Laura questions what she believes, what she desires, and who she’s becoming. But how do you love someone when you can never be sure who they are?

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This is the fourth of five guest lectures for Trinity University's 2026 Lennox Seminar series in honor of the nation's semiquincentennial: "The United States at 250: Remembering and Forgetting." Dr. Johnson will present a lecture titled “Remembering Revolutionary Alliances: The Forgotten Soldiers of Saint-Domingue during the American Revolution," followed by a Q&A.

Ronald Angelo Johnson is the Ralph and Bessie Mae Lynn Professor of History at Baylor University and the 2026-2027 Mellon Distinguished Scholar in Residence at the American Antiquarian Society. His latest book is Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell University Press, 2025). Dr. Johnson is currently working on a new book, We Are All Equal: Turmoil and Triumph in the Early United States and Revolutionary Haiti (under contract with Princeton University Press), a diplomatic history of race and revolution, illustrating that Americans and Haitians shared important understandings of liberty.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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In celebration of KRTU’s 50th Anniversary, Skyline Swing returns for one night with a dance lesson at 7 p.m. taught by members of the San Antonio Swing Dance Society, and a community dance social from 8 to 10 pm.

Featuring live music by the Dirty River Jazz Band. This event is free and open to the public with an RSVP. Reserve your spot HERE.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

View on site | Email this event

The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

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This is the final of five guest lectures for Trinity University's 2026 Lennox Seminar series in honor of the nation's semiquincentennial: "The United States at 250: Remembering and Forgetting." Mr. Prown will be giving a lecture titled “Object Lessons/Hidden Stories: Collaborative Curating in the 21st Century," followed by a Q&A.

Jonathan Prown is Executive Director and Chief Curator of The Chipstone Foundation. Prior to his current position, Prown was Assistant Curator (1988-1995), Associate Curator (1995-1998), and Curator (1998-1999) of Furniture and Sculpture at the Colonial Williamsburg Foundation. He received his BA in Art History from Colgate University and his MA in American Studies from The College of William & Mary. Prown has published extensively on American furniture and decorative arts and has curated or co-curated numerous exhibits at the Milwaukee Art Museum and in Colonial Williamsburg.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

View on site | Email this event

The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

View on site | Email this event

View on site | Email this event

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

View on site | Email this event

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

View on site | Email this event

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

View on site | Email this event

The Cornley University Drama Society has been hard at work on their newest production for weeks. Opening night of The Murder at Haversham Manor has finally arrived! Unfortunately, things quickly go from slightly bad to total disaster. Part farce, part murder mystery, part play-within-a-play, and total hilarity, The Play That Goes Wrong answers the age-old question: What would happen if everything went horribly, horribly wrong?

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When Jane falls ill, her husband John decides to take his young family away for the summer in hopes of restoring her health. But what should be an idyllic reprieve from the distractions of the world quickly becomes a nightmare. In this rendition of Gilman's classic story, we get glimpses of Jane’s childhood and marriage and learn the consequences of caging a mind against its will.

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Jen Easterly

“Defending the Digital Frontier: Securing Critical Infrastructure in an Era of Innovation"

Jen Easterly has led at the highest levels of cybersecurity, national security, and organizational resilience. She commanded the Army’s first cyber battalion, helped establish U.S. Cyber Command, and served in senior leadership roles at the White House and National Security Agency. She built Morgan Stanley’s Cybersecurity Fusion Center and led the firm’s resilience strategy. As director of the Cybersecurity and Infrastructure Security Agency (CISA), she oversaw the defense of America’s critical infrastructure. Today, as CEO of RSAC, she brings together the global cybersecurity and AI communities to shape the future of digital security. Widely recognized as a leading voice on AI, cybersecurity, and leadership, Easterly equips organizations to navigate technological change with confidence, resilience, and a security-first mindset.

Digital Tickets:

Individual Ticket: $70/personSeries Ticket (1 ticket for all four breakfasts): $260/personSingle Event Table (one table of eight for an individual breakfast): $560Series Event Table (includes one table of eight for all four breakfasts): $2,080Discounts for Trinity University faculty, staff and students will be given at the time of registration.

If you would like to receive information for the 2027-2028 Policy Maker Breakfast Series - please send your contact information (name, address, email address) to lgarza@trinity.edu or call 210-999-7601. The announcement will be sent out in August of 2027.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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When Jane falls ill, her husband John decides to take his young family away for the summer in hopes of restoring her health. But what should be an idyllic reprieve from the distractions of the world quickly becomes a nightmare. In this rendition of Gilman's classic story, we get glimpses of Jane’s childhood and marriage and learn the consequences of caging a mind against its will.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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When Jane falls ill, her husband John decides to take his young family away for the summer in hopes of restoring her health. But what should be an idyllic reprieve from the distractions of the world quickly becomes a nightmare. In this rendition of Gilman's classic story, we get glimpses of Jane’s childhood and marriage and learn the consequences of caging a mind against its will.

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

View on site | Email this event

View on site | Email this event

Still Becoming is a selected survey of works made during Ward’s decades-long tenure at Trinity University. Water, in its many forms, is a recurring theme, both as subject and symbol. Rivers, lakes, and pools evoke the passage of time, history, evolution, and memory; ideas of sustenance, purification, ritual, and our bodily experience of water and the landscape underscore our interconnectedness and rise to the surface throughout this body of work. This farewell exhibition honors Liz Ward on the cusp of her final semester at Trinity University as she approaches retirement and life beyond teaching.

Exhibition dates: October 15 – December 19, 2026

Reception: October 15, 2026, 5-7pm

Artist talk: October 16, 2026, 2pm

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Ron Insana

“The Economy 2027: Washington, Wall Street, and the World—Who Stands To Win, Who Stands To Lose?”

Ron Insana is MS Now’s senior business analyst, providing insight on the economic, market, political, and geopolitical developments affecting Wall Street and Main Street. Prior to joining MS Now in 2026, he spent more than 42 years as an anchor and contributor with Financial News Network, CNBC, MSNBC, and NBC News. Throughout his career, Insana has interviewed former Presidents Bill Clinton and George W. Bush, business leaders including Warren Buffett and Jack Welch, investment titans George Soros, Peter Lynch, and Larry Fink, and international figures including Mikhail Gorbachev and Queen Rania of Jordan. Insana has authored four books on money and markets and was named one of the “Top 100 Business News Journalists of the 20th Century.” He also earned an Emmy nomination for NBC’s coverage of September 11.

Digital Tickets:

Individual Ticket: $70/personSeries Ticket (1 ticket for all four breakfasts): $260/personSingle Event Table (one table of eight for an individual breakfast): $560Series Event Table (includes one table of eight for all four breakfasts): $2,080Discounts for Trinity University faculty, staff and students will be given at the time of registration.

If you would like to receive information for the 2027-2028 Policy Maker Breakfast Series - please send your contact information (name, address, email address) to lgarza@trinity.edu or call 210-999-7601. The announcement will be sent out in August of 2027.

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

View on site | Email this event

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

View on site | Email this event

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Branden Jacobs‑Jenkins’s contemporary retelling of Everyman, the medieval morality play where one human is called by Death to begin a journey toward judgment. In this adaptation, a nightly casting lottery determines which archetypal “somebody” will take on that role, as Everybody asks what we carry with us at the end of life.

From theatre productions to engaging discussions, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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The Trinity Music Department presents the Trinity Choirs in their Spring 2027 concert at 7:30 p.m. on Tuesday, March 2 in the Margarite B. Parker Chapel. This event is free and open to the public.

Concord Floral is a one-million-square-foot abandoned greenhouse and a refuge for neighborhood kids; a place all to themselves in which to dream, dare, and come of age. But hidden there is a secret no one wants to confront, and when two friends stumble upon it they set off an unstoppable chain of events, from shadows in parking lots to phone calls from the grave. It’s time for the teens of Concord Floral to start talking.

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Beauty is not skin-deep: if it were, attributing beauty to things we neither see nor hear—novels, ideas, proofs, minds, characters, and so on—wouldn’t be routine. Still, though beauty goes beyond what we see and hear, our awareness of it is essentially perspectival just as seeing and hearing are. Beauty is not in the eye of the beholder: if it were, we wouldn’t treat it as something we can argue about, agree and disagree about—as something, in short, we have in common. Still, though beauty is not merely subjective, the perspectives from which we glimpse it rarely coincide. What might beauty be if it is a value that is neither skin-deep nor merely subjective, yet thoroughly perspectival?

Join Dr. James Shelley this evening for an engaging public lecture in which he attempts an answer.

Dr. James Shelley is Professor of Philosophy at Auburn University. He works primarily on aesthetic value, with broader interests in philosophy of the arts. His recent publications include “Intelligible Beauty,” “A Simple Theory of Aesthetic Value,” and “What Is Aesthetic Value?”. He currently serves as president of the American Society for Aesthetics, the leading professional organization for his field in North America.

Lecture starts at 7:30 p.m. with a reception immediately following.

From theatre productions to thought-provoking lectures, Trinity University’s 2026-27 Stieren Arts Enrichment Series offers an exciting lineup for all to enjoy.

Each year, this series brings to campus a diverse array of leaders in the arts and humanities who share their expertise and works with the Trinity and local community. All events are free and open to the public.

The Stieren Arts Enrichment Series is made possible by an endowment gift from Jane and the late Arthur Stieren of San Antonio.

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Geeta Nayyar

“Diagnosing and Treating Health Care’s Misinformation Illness"

Geeta Nayyar, MD, MBA, is a globally recognized chief medical officer, technologist, and bestselling author who helps leaders leverage a human approach to innovation, including rapid advances in AI, to achieve better health and business outcomes. A widely sought-after speaker and author of the Wall Street Journal and USA Today bestseller Dead Wrong: Diagnosing and Treating Healthcare’s Misinformation Illness, Nayyar has appeared on CNBC, CNN, CBS, and other prominent media outlets. She has served as chief medical officer for Salesforce and AT&T, among other executive roles. She currently serves on the board of the American Telemedicine Association and as an adviser to the American Medical Association. A rheumatologist, Nayyar earned her medical degree at the University of Miami Miller School of Medicine, where she was admitted into an accelerated program at age 17. She earned her Master of Business Administration at The George Washington University.

Digital Tickets:

Individual Ticket: $70/personSeries Ticket (1 ticket for all four breakfasts): $260/personSingle Event Table (one table of eight for an individual breakfast): $560Series Event Table (includes one table of eight for all four breakfasts): $2,080Discounts for Trinity University faculty, staff and students will be given at the time of registration.

If you would like to receive information for the 2027-2028 Policy Maker Breakfast Series - please send your contact information (name, address, email address) to lgarza@trinity.edu or call 210-999-7601. The announcement will be sent out in August of 2027.

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